What 37 Years on Stage Taught Me About the Lens
The camera and the live stage seem like opposites. They're not. Here's what decades of performance reveal about being believed on screen.
Read article →Field notes from 37 years of being watched — and helping others be worth watching.
The camera and the live stage seem like opposites. They're not. Here's what decades of performance reveal about being believed on screen.
Read article →The need to be liked reeks of insecurity, and people smell it across the room. Here's what to do instead.
Read article →There's a single tell that separates camera presence from camera performance — and you can't fake it.
Read article →A simple pre-record ritual, borrowed from the wings of the theater, to ground your presence before you ever hit record.
Read article →The single shift that separates people who are watchable on camera from everyone else — and why scripts work against you.
Read article →The amateur fills every gap. The person willing to let a beat sit is the one who clearly believes what they just said.
Read article →The whole architecture of getting good on camera fits on a sticky note. It's called the Nibble Steps Equation.
Read article →A stance is the structural antidote to insecurity. Both halves of the spine matter — especially the half that scares you.
Read article →You don't get to wait for the audience to decide your idea matters. Essentiality is something you give the work.
Read article →"Everyone" is not an audience; it's a fog. The fastest way to be watched by many is to talk to one.
Read article →Memorization is for actors performing someone else's words. You're delivering what you already know.
Read article →Authority on camera doesn't start in your voice or your words. It starts in your feet. Here's the fix.
Read article →A short video series on finding your presence on camera — no scripts, no templates.